Jennifer Scappettone is a poet, translator, and scholar, the author of the poetry collection From Dame Quickly (Litmus, 2009) and of several chapbooks: Beauty [Is the New Absurdity] (dusi/e chap kollektiv, 2007), Err-Residence (Bronze Skull, 2007), and Thing Ode / Ode oggettuale (La Camera Verde, 2008), translated into Italian in dialogue with Marco Giovenale. Exit 43, an archaeology of the landfill and opera of pop-up pastorals, is in progress for Atelos Press, with a letterpress fragment forthcoming from Compline Press. She edited and translated Locomotrix: Selected Poetry and Prose of Amelia Rosselli (University of Chicago Press, 2012), which won the Academy of American Poets' biennial Raiziss/De Palchi Book Award. She edited Belladonna Elders Series #5: Poetry, Landscape, Apocalypse (Belladonna, 2009), featuring her pop-ups and prose and new writing by Etel Adnan and Lyn Hejinian. Her poetry is featured in a range of anthologies, including Novas Poéticas de Resistência/Poetics of Resistance, edited by Graça Capinha, Emergency Index, a documentary performance anthology (Ugly Duckling Presse, 2012), La alteración del silencio: Poesía norteamericana reciente (Das Kapital, 2010), and The Best American Poetry 2004 (Scribner, 2004). Recent collaborative projects include sonic performances of Exit 43 with the Difforme Ensemble (Marco Ariano, Renato Ciunfrini, Roberto Fega); the performance work PARK, under development with choreographer Kathy Westwater and architect Seung Jae Lee and presented in 2010-12 at Dance Theater Workshop, Reed College, LentSpace, and Fresh Kills Landfill; and X Locus, twinned installations for the courtyard and tract of Trajan’s aqueduct at the American Academy in Rome, designed with AGENCY Architecture (Ersela Kripa and Stephen Mueller) and composer Paul Rudy, in 2011. Killing the Moonlight: Modernism in Venice, her critical study of the premodern city as a crucible for twentieth-century experimentation across literature, politics, the visual arts, architecture, and urbanism, is forthcoming from Columbia University Press.