CRWR 17014 Fundamentals in Creative Writing: A Gathering of Flowers: The Anthology
In 1925, The New Negro: An Interpretation, a collection of poems, short stories, and essays was published—it ushered a new era, what was then called the New Negro Renaissance. An artistic and literary movement with the objective to subvert what Alain Locke called the “Old Negro,” by providing a corrective and aspirational image of contemporary Negro life, was borne. Around forty years later, Black Arts: An Anthology galvanized the Black Arts Movement, what Larry Neal called the “aesthetic and spiritual sister” of the Black Power Movement. The Best American Short Stories and the Norton Anthology of Literature by Women are two more examples of anthologies, one to cultivate the genre and the other to recover the literature of marginalized women writers.
In this course, we’ll examine anthologies, a word derived from the Greek for “a gathering of flowers.” As we study these “flowers,” we’ll discern the objectives that shape their construction, as well as what was put in and what was left out. In short essays and exercises, we’ll also investigate the social, cultural, and political contexts that influenced these objectives, as well as the resultant literary and cultural implications. For your final, you’ll design your own literary anthology.
Tuesday 9:30am-12:20pm
Students must be a declared Creative Writing major to enroll. Apply via creativewriting.uchicago.edu. Attendance on the first day is mandatory.